History Book vs Video Lecture

I operate flipped classroom where students watch video lectures with Zaption questions embedded in them for homework, then we read, practice writing and note-taking drills and complete projects in class. After three years of this work I developed two hypotheses: 1) Students with higher reading scores prefer reading the book to viewing the video lectures; and 2) Students with lower reading scores prefer viewing the video lectures to reading the book.

This week, I asked two samples of students to describe which learning format they preferred. The results soundly debunked my assumptions. While both groups of students preferred the video lectures to the textbook, 36% of students with lower reading levels preferred taking notes from the book rather than viewing video lectures.

Book v VL

Students who favored the video lecture to the book made comments like:

  • I think I am learning more from the videos because they give off more information, they clarify what the topic is about, and I can rewind the video in case I didn’t get that last piece of information.
  • Personally, the video lectures help a lot more than taking notes on the book. I can spend more time on the video, the book is more flat. In the video, main points are emphasized. It’s slightly harder to pick out key points from the book. My brain works better when it comes to listening because when it comes to reading, my eyes tend to skim and I can miss key information.
  • I like the video lecture better because it tells us what to write. You can take your time and you can rewind the video. In the book, it takes a long time looking for what information you are going to write in your notes. When I open the book it’s just like no and it’s not interesting. The book doesn’t capture my attention.

Students who preferred the book to the video lectures made comments like:

  • I think the book helps me better because you can go back and easily find something you missed, you can easily flip through pages to find something, and it is less distracting.
  • Taking notes from the book helps you go at your own pace. You can read as fast or as slow as you want. The book is easier to go back to a sentence or paragraph than the video. The book makes it more simple because you can study and annotate in a way that you will understand.
  • I work better with books, they have less complications. I am a hands-on learner, books get to the point. Video-lectures can have complications. WiFi can go down, you run out of data, problems can happen. Books are always there to be picked up and read.

These results seem to validate the flipped classroom approach. When students view video lectures which preview vocabulary terms, names and events first, they are building background knowledge. Then, when students encounter these terms, names, and events in their reading, they have familiarity with them and it is easier for the new knowledge to “stick.” Regardless of which learning method students prefer when these two methods are paired, the video acts as an anticipation guide priming the pump in a student’s memory and reinforcing the stickiness of the information in the reading. My big takeaway? Remember to listen to your students. It turns out they also are your customers.

SCSSA Presentation

Here is a presentation I did on Saturday, October 17, 2015 for the Southern California Social Science Association in beautiful Burbank, California. I also provided an archive of argumentative writing resources via Pearl Trees.

http://www.slideshare.net/mrpetri/slideshelf

Argumentative Writing Notes

This presentation focused on the work of Hillocks, Fletcher, and Heinrichs. Hillocks offers teachers a common vocabulary to use consistently with students. Fletcher uses Loop Writing and the Believing/Doubting game to get students examine both sides of an argument. I have adapted her methods for a social studies lesson. MEAL paragraphs allow teachers to give students daily practice in argument writing. Teachers who want additional ideas about teaching argumentation should consult Heinrichs’ Thank You For Arguing.

Hillocks

The process of working through an argument is the process of inquiry. At its very beginning is the examination of data, not the invention of a thesis statement in a vacuum.

Claims are almost never substantiated. 4 out of 5 dentists recommend… A literary critic must cite the works discussed and quote from the texts to prove a claim. A historian must carefully note the artifactual or documentary evidence basic to the argument being made.

Without analysis of any data (verbal and nonverbal texts, materials, surveys and samples), any thesis is likely to be no more than a preconception or assumption or clichéd popular belief that is unwarranted at best and, at worst, totally indefensible.

Warrants may be common sense rules that people accept as generally true, laws, scientific principles or studies, and thoughtfully argued definitions. Two claims can be made viewing the Furigay illustration: It was suicide. It was murder.

Approach the teaching of argument from the examination of data, as a first step. Once we have examined data to produce a question and have re-examined the data to try to produce an answer to the question, we may have a claim or thesis worthy of arguing. If the data support our answer to the question, it becomes evidence in support of the claim we make.

  1. Examine data
  2. Ask questions based on data
  3. Reexamine data
  4. Try to answer the questions
  5. Data that supports our answer = Evidence

DBQs do this in a limited way. Most students struggle when characterizing primary sources and don’t understand how to apply the evidence within them. Students need shorter, more frequent, and lower-stakes writing tasks to learn how to write arguments.

Fletcher

Asking students to write the thesis first is putting the cart before the horse. It’s hard to ask a question about an on-going conversation when you don’t listen to the conversation first. – Carol Jago (Fletcher forward).

Loop Writing uses five-minute timed unveilings. Each prompt ups the ante a little. Should burning the flag be protected under the First Amendment? Does the death penalty violate the Eighth Amendment? The “loop method” encourages deeper thinking about a topic as well as intellectual engagement. Purpose of Loop Writing is to examine one issue in depth to move past superficial understandings and develop a sophisticated or new perspective on the issue.

Playing The Believing & Doubting Game

  • We suspend all judgment and give the writer the benefit of the doubt.
  • Most students have this non-critical approach to reading their History book.
  • Listening to a text (close reading – RLH) and postponing judgment requires more effort than analyzing texts. We need to temporarily try the writer’s ideas on for size.

Playing the Believing Game/Doubting Game with the Declaration of Independence might enable students to carefully look through Jefferson’s arguments about separating with England. It would also be interesting to do it with the arguments in Thomas Paine’s pamphlet Common Sense.

Points to Remember

  1. Academic writing begins with academic reading. Most of our students do not have enough background knowledge to write a strong argument. They need help gathering and organizing information.
  2. Argumentation involves asking and answering questions.
  3. A well-developed questioning habit is a key trait of college-ready writers.

Prompts to Deepen Student Thinking

  1. How do you know if something is true or only an opinion?
  2. How do you decide if something is better or worse than something else?
  3. Describe a time when you decided something was more important than something else. How did you reach that decision?
  4. Describe a time when you were able to see something from a different point of view. What helped you to understand a new perspective?

Playing The Doubting Game

The object of this game is disbelief. These questions prompt a mistrust of the text:

  1. Does the writer say anything that bothers me?
  2. Are any of the writer’s claims unsupported?
  3. Does the writer draw any dubious conclusions?
  4. Does the writer contradict him/herself?
  5. Do I disagree with any of the writer’s claims or assumptions?
  6. Are there any reasons not to trust this writer?
  7. Does the writer leave anything out?

History on TV in October

This month’s TV Plus column (p. 26) from The Social Studies Professional features the following films.

Iwo Jima: From Combat to Comrades Tuesday, November 10, 2015, 8:00–9:00pm PST KQED PBS Follow survivors of perhaps the fiercest battle of World War II as they return to Iwo Jima for a Reunion of Honor on the only battlefield where former enemies come together in shared remembrance.

Debt of Honor: Disabled Veterans in American History Tuesday, November 10, 2015, 9:00–10:00 pm PST KOCE PBS/ Steeplechase Films Take an unflinching look at the reality of warfare and disability in this history of disabled veterans. Witness moving interviews with “some of the country’s most prominent disabled veterans.”

American Comandante (American Experience) Tuesday, November 17, 2015, 9:00–10:00pm PST PBS/WGBH Meet William Morgan, the larger-than-life American who rose to power in Cuba during the revolution. His life had it all — adventure and romance, mobsters and spies, and a cast of characters including J. Edgar Hoover, Che Guevara, and Fidel Castro.

Up Heartbreak Hill (POV) November 2015 PBS/ American Documentary Thomas and Tamara are track stars at their rural New Mexico high school. Like many teenagers, they are torn between the lure of brighter futures elsewhere and the ties that bind them to home. For these teens, however, home is an impoverished town on the Navajo reservation, and leaving means separating from family, tradition and the land that has been theirs for generations. Take a moving look at a new generation of Americans struggling to be both Native and modern.