Tag Archives: World History

Sequencing EduProtocols for PBL

Project Based Learning (PBL) is a teaching method in which students gain knowledge and skills by working for an extended period of time to investigate and respond to an authentic, engaging, and complex question, problem, or challenge. EduProtocols are versatile lesson frames that streamline teacher planning and maximize student creativity, critical thinking, communication and collaboration. Can educators purposefully rack and stack or sequence EduProtocols to simplify PBL for students?

This post will describe a seven-day EduProtocol sequence that resulted in 10th-grade World History students making public service announcements to salute important women who served in World War II for Women’s History month. These projects will be displayed for our high school’s Open House, which is open to prospective 9th graders and the general public.

Day One: Students were asked to read a Children’s Book that had been created by previous classes, then use the Frayer Model to break down this service member’s contributions.

Day Two: We did a fact-checking Iron Chef that taught students the importance of lateral reading and vetting multiple sources when becoming an academic writer.

Day Three: We looked for more sources in the Digital Library so that students could produce 25 facts from five different sources. This was the most challenging activity of the week.

Day Four: Students did a concept sort, consolidating the number of facts from 25 to ten and organizing them on a scale from Interesting to Boring. I have found this helps them come up with an interesting hook to begin their writing. Without it, too many students resort to the stock “So and So was born on this date and died on this date…” approach to historical writing.

Day Five: Students write a first draft of their PSA script and color-code their facts. This shows them the value of using multiple-sources to develop a well-researched fact pattern. Good academic writers go beyond Google & Wikipedia.

Day Six: Students record a two minute Flip video honoring their woman who served in WWII. They set their slides to change every 15-30 seconds so the viewer can see all of the work they put into the project. Here is a link to the work flow if you want to take a closer look at this student’s project.

Day Seven: A personal reflection on what parts of this project were helpful and which parts were hard to finish. Most students explained that finding academic sources and using the digital library were the most difficult. I need to have my awesome librarian come in and show them her tips and tricks for becoming savvy researchers.

Overall, I was thrilled with the quality of the work put into these PSAs. I look forward to sharing them with the school community and will show one per day to all of my classes for Women’s History month next year. Here’s the archive.

If you are interested in learning more about sequencing EduProtocols in order to create more meaningful projects in your Social Studies classroom, consider picking up our book or attending one of our Summer Academies in July.

Book Review: Mademoiselle Revolution

With themes of bisexuality and biracial justice, Zoe Sivak’s 2022 dual story of the Haitian and French Revolutions will surely be banned from public schools in Florida and Texas. As the father of two argumentative teenage daughters, this is exactly the book I want them to read as they wrestle with questions of white privilege, economic and racial justice, and reconciling the precarious balance between terror and freedom.

I devoured this book in two days and found myself thoroughly engaged with the imagined conversations between the heroine and Robespierre as the book speeds to the Incorruptible’s inevitable end. This review will not contain spoilers. Suffice it to say, I am a fan of how Spivak navigates her heroine through the female political clubs of French society, noodling with her fellow nobles, yet jibing with the Jacobins, and manipulating the Montagnard’s partisan sympathy for the sansculottes.

Meeting Olympe de Gouges moves Sylvie from a passive observer to a participant in partisan politics. She asks, “How can I not [participate]? We invite that risk into our lives every moment we pray for the mercy of men who hardly think of us at all” (316). Do all history teachers dream of texts where the main characters quote Rousseau in their arguments? This book delivers in capturing the intellect of the Enlightenment in French salons.

Although I wouldn’t recommend this book for middle schoolers, high schoolish budding feminists will love the delightful plot twists that transform Sylvie from a vain and vapid woman of privilege into a formidable, female freedom fighter who curses out Robespierre, “You betrayed us! You became obsessed with terror — this precious fuel to revolution… Terror is a crueler tyrant than some spendthrift queen or hapless king could ever be. It’s a monarch I wouldn’t wish on anyone. Yet you wore terror like a crown” (Spivak, 2022, pp. 394-395).

In the past, I have had my students read Marie Antoinette: The Journey by Antonia Fraser and Pure by Andrew Miller to better understand the factions, motivations, and nuances surrounding the French Revolution. However, Sivak’s work of historical fiction may better engage teenage readers and engross them in meaningful discussions about liberty, equality, and fraternity… (or sorority) and what those words mean today. Brava, Zoe Sivak!

3XCER Challenge

Thanks to the awesome work of Science teacher extraordinaire, Ariana Hernandez, I was inspired to try the three-way claim-evidence-reasoning challenge with my World History students who are studying Middle East conflicts. I found this great reading by Dr. Sawsan Jaber and asked my students to work in small groups to identify claims of fact, policy, and value

My student teacher Mr. Preston Becker created a Kahoot to help our students do some retrieval practice when learning the different types of claims. After a round of practice in teams, students were ready to dive into the reading. I modified Ariana’s template so that students could all work in the same document and I could monitor their progress. They were given 30 minutes to identify the three different claims and talk about whether or not there was a grande claim — the most important point in their reading. 

Instead of providing individual feedback to each group, I chose a sample and added comments so that students could see where they need to improve. 

10th grade World History student work example.

Where I highlighted in red, I commented that a claim of policy should be made by an institution, organization, or government. This sounds more like an opinion or claim of value. Where I highlighted in yellow, I mentioned that a claim of fact should be able to be proven or disproven. How would you do this? Lastly, for the claim of value, I asked what is an adjective you would use to describe this value-oriented behavior?

Students will use this challenge again to identify claims in their reading of I Am Malala or The Kite Runner. I know that their English teacher and Chemistry teacher both use this CER format in their classes and I hope students will see how easy it is to transfer their knowledge and skills in all subjects.

Interdisciplinary Approaches to ELA & History

I am always on the hunt for good historical fiction that makes my students connect with the era under study in my class. This week, I finally finished Forbidden City by Vanessa Hua. It’s a fantastic book by a well-respected author and could engage students in deep learning about the Chinese Cultural Revolution, however, the focus on the love life between the Chairman and Mei Xiang makes this book too cringey for me to assign to my class. This is honestly the first book where I have censored myself and I wonder if other social studies teachers feel similarly in this political climate, or if I am alone in this sentiment. 

Do you feel as if your school administration would stand up to parents who want to question or argue with you about your curricular choices?

Does today’s anti-teacher sentiment make you anxious about assigning academic work outside of your district textbook?

Should teachers team together on interdisciplinary approaches to teaching ELA & History in order to diffuse some of this tension? 

Join me on Twitter September 26, 2022 at 5 PT, 7 CT, or 8 ET to chat about this topic with the #sschat #sschatreads & #engsschat community. Bring your most controversial titles. We will be issuing merit badges.

Children’s Book Projects

For the past few weeks, my tenth grade World History students have been learning about the Mexican Revolution. They read The Underdogs by Mariano Azuela in their ELA class, and in my class they viewed the PBS documentary The Storm That Swept Mexico, learned about La Soldaderas, and researched and wrote children’s books on important events and leaders from the Revolution.

Almost every student completed this project on time and they were given multiple chances to revise and resubmit a perfectly formatted annotated bibliography of five sources for their book. I taught them how to use The Hemingway App and Rewordify to help paraphrase their text. Students could work in groups or independently, the only rule was each student had to produce six pages of content.

The top three entries were chosen by BookCreator to be displayed in their instructional libraries. I am so proud of these students.

https://read.bookcreator.com/cgkm1YQFihcaV9mXXkOebPP6AkP2/o9_ZKSGnT4CqU0eFLXNzXQ

https://read.bookcreator.com/b9ooRapSmdYBSQy2QUPCWgnSJ9m2/vGs6TpavQpy-E5Y0DnaHtg

https://read.bookcreator.com/6rWnNn5Zz6aOpssaM2mAZALlJhx2/vP5iwXKiTriIR65rcGLTCw

To take a look at ALL OF the books, click through this spreadsheet.

At the end of the 15 week grading period, my students have earned 35 (As), 15 (Bs); 9 (Cs); 4 (Ds); and 7 (Fs). Please ask your child to share their book project with you and celebrate their creative accomplishments.

Coming up next. The Great Thanksgiving Listen.

Graphic Novel Review: Illegal

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Illegal is the story of Ebo, a young boy from Ghana who journeys across Africa to Tripoli where he hopes to migrate to Europe and reunite with his older sister Sisi and his older brother Kwame who have already left home. This 122 page graphic novel by was written by Eoin Colfer and Andrew Donkin with the images drawn by Giovanni Rigano.

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A small cast of characters make this book an easy, yet dramatic read for students learning about immigration and Africa. Ebo, Kwame, Sisa, Uncle Patrick, Rozak, Penn, and Cammo.

The reader quickly learns that the life of a migrant is a dangerous routine of work, hide, and sleep in order to get up and avoid detection the next day. Human traffickers abound and pop up frequently to separate migrants from their hard-earned money.

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Ebo’s gift for song carries him to the city of Agadez where an impromptu gig at a wedding helps him get to Europe. There are many opportunities for teachers to help students learn about African countries, the legacies of imperialism, and the sad history of decolonization. Students can create empathy maps, timelines, and map the refugees’ journey, as well as engage in inquiry projects about refugees in and out of the United States.

The opening quote from Eli Wiesel reminds us all that humanity depends on humans caring for each other. Isn’t that what the study of history is for?

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WWI Podcasts

This post will showcase 11th grade US History students’ podcasts on a person, place, or event from the Great War.

WWI Banner

This WWI Podcast assignment was adapted from an NWP article detailing how to conduct a First Person Research Paper  by Cindy Heckenlaible (2008). First students listened to a 15 Minute History lecture to understand why the US joined WWI and then they used the resources provided to brainstorm topics. To see the directions for a previous assignment, look at Vietnam War Narrative. You may listen to three earlier student examples: The Orange Mist Protest Becomes Tragedy, and The Last Moments of Elizabeth Hall.

Decide to work with partners or work solo. Then use this spreadsheet to declare your narrator and story (topic). Each narrative must be at least three minutes for an individual assignment, add 1.5 minutes to your story for each additional person involved in the project. The five components of this project were worth 50 points each.

1) Produce an Annotated Bibliography in MLA format with at least six sources. If a historical detail is not included in your annotation, then you cannot use it in your narrative. 92% of students turned this in on time.

Use the details from your annotated bibliography to write your script. Document the historical details in your story by underlining them and including a (parenthetical citation) immediately after. The theme of your story should be — What is a moment in history that all students should learn about? You may use sound effects and soundscapes, but NO MUSIC!

Tools
BBC Audio http://bbcsfx.acropolis.org.uk/ 
Soundscapes https://city.ambient-mixer.com/

Make sure you study the tips in this presentation as you plan your narrative and 2) use this format to submit your story in writing.  81% of students turned this in on time. 3) Create an Annotated Timeline that includes maps of where your story takes place. 37% of students used their time well enough to complete this on time. 4) Write a 5 question Quizizz to share after your story has been heard by the class. Emphasize the most important historical details in your questions and include facts that you would expect to see in a history book. 74% of students turned this in on time. 5) Submit your narrative recording to get all the points. 44% of students made this deadline. 65% of students were able to complete all components on time.

Debrief/Reflection

Describe how you managed your time and completed each component of this project? Which of the resources provided did you find most helpful? What does this piece reveal about you as a learner? What would you change if you had a chance to do this project over again?

CA USH Standard: 11.4.5: Analyze the political, economic, and social ramifications of World War I on the home front. CCSS: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details and well-structured event sequences.

 

WWI First Person Research Paper

On order to engage my students in the study of World War One, they are conducting a first person research paper that showcases their narrative skills. This assignment was adapted from (Heckenlaible, 2008). I am posting the directions for the assignment now and will follow up with additional posts featuring student work and feedback.Pershing

Gen. John J. Pershing, photographed by Harvey Patteson in 1917. Courtesy of the Library of Congress. https://www.loc.gov/item/00652556/

  1. Listen to 15 Minute History to refresh your memory on why the US joined WWI and use the resources to help you brainstorm topics.
  2. Decide to work with partners or work solo. Then use this form to declare your narrator and story (topic). Each narrative must be two minutes or 1.5 pages per person.
  3. Produce an Annotated Bibliography in MLA format with at least six sources. If a historical detail is not included, then you cannot use it in your narrative.
  4. Use the details from your annotated bibliography to write your script. Document the historical details in your story by underlining them and including a (parenthetical citation) immediately after.
  5. Submit your story in writing or record your narrative for extra points.
  6. Create an Annotated Timeline that includes maps of where your story takes place.
  7. Write a 5 question Quizizz to share after your story has been heard by the class.

To see the directions for a previous assignment, look at Vietnam War Narrative You may listen to three examples: Vietnam War Nurses, Protest Becomes Tragedy, The Last Moments of Elizabeth Hall

CA USH Standard: 11.4.5: Analyze the political, economic, and social ramifications of World War I on the home front. CCSS: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details and well-structured event sequences.

Analyzing Annotated Bibliographies

Recently, my high school students were assigned an inquiry project that required independent research. The first step in this project was teaching students to write an annotated bibliography. Fortunately, I was well supported by my English department colleagues. Each of whom supported our shared students with instruction on writing annotated bibliographies.

Annotation

A common definition was adapted from Purdue OWL’s website. An annotated bibliography includes a summary and/or evaluation of sources for a research project. Annotations may do one or more of the following: Summarize: What is the point of this book or article? What topics does it cover? Assess: Evaluate the source. How will it be useful? Is the information reliable? Is this source biased or objective? Reflect: Ask how this source fits into your research. Was this source helpful to you? How can you use this source in your research project? Has it changed how you think about your topic?

Grading the annotated bibliographies was simple: First, I examined the quality of the annotation. How well did the student summarize, assess and reflect on the content of the source? Then I looked at the overall format of their document. Two minor mistakes knocked them down to a B; 3 mistakes = C; 4 mistakes =  D; and more than 4 mistakes = do not pass go, do not collect $200.

Results

I used this presentation to debrief with my students. I’m happy to report that over 75% of my students were able to complete an annotated bibliography in two class periods. Unfortunately, only 32% of the work that was turned in met my definition of proficiency as having fewer than 2 or more minor mistakes. The fifteen students who got A’s averaged five correct citations containing informative annotations.

Moving forward, I could see this activity becoming an end of unit exam or even a department final that accurately measures student research skills. How do you assign and evaluate annotated bibliographies? How can we break the research process down so that students are able to practice these skills in our daily classroom practices?

Reading Next

Biancarosa & Snow (2004) outline 15 elements of effective literacy interventions. RN Cover Subsequent research should focus on identifying an optimal mix that will increase the literacy of middle and high school students while simultaneously building their knowledge base. The following fifteen elements are research-based best practices aimed at improving middle and high school literacy achievement:

  1. Direct, explicit comprehension instruction, which is instruction in the strategies and processes that proficient readers use to understand what they read, including summarizing, keeping track of one’s own understanding, and a host of other practices
  2. Effective instructional principles embedded in content, including language arts teachers using content-area texts and content-area teachers providing instruction and practice in reading and writing skills specific to their subject area
  3. Motivation and self-directed learning, which includes building motivation to read and learn and providing students with the instruction and supports needed for independent learning tasks they will face after graduation
  4. Text-based collaborative learning, which involves students interacting with one another around a variety of texts
  5. Strategic tutoring, which provides students with intense individualized reading, writing, and content instruction as needed
  6. Diverse texts, which are texts at a variety of difficulty levels and on a variety of topics
  7. Intensive writing, including instruction connected to the kinds of writing tasks students will have to perform well in high school and beyond
  8. A technology component, which includes technology as a tool for and a topic of literacy instruction
  9. Ongoing formative assessment of students, which is informal, often daily assessment of how students are progressing under current instructional practices
  10. Extended time for literacy, which includes approximately two to four hours of literacy instruction and practice that takes place in language arts and content-area classes
  11. Professional development that is both long term and ongoing
  12. Ongoing summative assessment of students and programs, which is more formal and provides data that are reported for accountability and research purposes
  13. Teacher teams, which are interdisciplinary teams that meet regularly to discuss students and align instruction
  14. Leadership, which can come from principals and teachers who have a solid understanding of how to teach reading and writing to the full array of students present in schools
  15. A comprehensive and coordinated literacy program, which is interdisciplinary and interdepartmental and may even coordinate with out-of-school organizations and the local community

Lit Ach Elements

Since educational research has not identified an overall strategy for directing and coordinating remedial tools for students at risk of academic failure, teachers are encouraged to experiment with these elements and report out any effective combinations. The authors recommend that three specific elements: professional development, formative assessment, and summative assessment be included in order to ensure instructional effectiveness and measuring effects.